Online Presentation: Retrospect of two years journey of Yimtubezina Museum and Cultural Center and its Curatorial Practice on Temporary Exhibitions.

Abel Assefa

12 December 2024,18:00 CET (registration see below)

Since the official opening of Yimtubezina Museum in December 2022, it has managed to present 9 exhibitions, which six of them were temporary and the other from its permanent museum collections. The museum with a mission to creat a platform  for cross cultural exchange and inter generational dialogue, its temporary exhibitions are themed on a specific topics that could possibly valorize, document and promote memories and urban cultures as well as history and cultural heritages of Ethiopia. The presentation focuses and discusses the process for establishment of the Museum on a historical house built in 1900 for a residential use by W/ro Yimtubezinash Habte. While the presentation highlights the exhibitions that have been presented so far It also discuss how its temporary exhibitions are initiated and implemented by providing summary for selected exhibition ideas. Through collaboration with different institutions; providing platform for Artists’s and collectors and making awareness of various topics; this presentation highlights the process of curatorial execution of temporary exhibitions process from its inception to execution.

Abel Assefa is Director and Chief curator at Yimtubezina Museum and Cultural Center in Addis Ababa, Ethiopia.  He also participates in the MuseumsLab 2024 program in Berlin. He holds a BSc in Heritage Conservation from Mekele University and an MA in Archeology and Heritage Management from Addis Ababa University.

If you like to attend the presentation please register via this email!

Header Ethiopian Popular Music

Online-Presentation: Ethiopian Popular Music through Political and Cultural Shifts

Timkehet Teffera Mekonnen

14 November 2024,18:00 CET (registration see below)

In my presentation, I will introduce my recently published book, Ethiopian Popular Music through Political and Cultural Shifts. The music traditions and practices in Ethiopia are among the less explored fields of study.
The history of Ethiopian popular music is closely tied to Western influences, which began penetrating the region in the 15th century. I will explore the impact of these external influences and examine the emergence and gradual development of this music sector in Ethiopia, continuing up until the 1970s, a period often considered the zenith of Ethiopian popular music.
It is noteworthy that military music significantly shaped the socio-cultural and socio-political landscape of the genre. This includes the formation of fanfare ensembles and military bands, which paved the way for the emergence of private music bands. These private bands played a vital role in advancing the genre and making a significant impact.

Cover: Ethiopian Popular Music
Book Cover Ethiopian Popular Music by Timkehet Teferra Mekonnen

If you like to attend the presentation please register via this email!

Video Online-Presentation: The Fragility of Addis Ababa’s Urban Heritage

Piet Nieder

11. July 2024,18:00 CET

In its early decades, the Ethiopian capital, founded in 1886, witnessed a very specific form of architecture. At the beginning of the East African country’s first urbanisation process, a mixture of vernacular knowledge and a new cosmopolitan mindset led to an architectural type that local professionals refer to as the ‘Addis Ababa Style’: Pavilion-like buildings of different sizes, made of stone, earth, and wood, characterised by expressive pinched roofs, generous verandas with curtain walls, and a high degree of detailing. Today, those graceful, appropriate, and nature-based buildings are under threat of being swallowed up due to shortsighted economic – or political? – interests.
In cooperation with the Institute for Architecture in Addis Ababa (EiABC), architects of Berlin’s Technical University studied this typology with regard to its embeddedness in local resources, climatic conditions, and craftsmanship. As such, they employed the ‘Addis Ababa House’ as a case study to discuss the possibility of a non-industrial building type that reflects the desire for a cosmopolitan urban life.


The two pictures were taken on the same day in Piassa. Left: Locals leaf through the new book „The House of Addis Ababa“. Right: Piassa residents are forced to demolish their inherited homes within a few days.

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Piet Nieder is a practicing architect and researcher at Technical University Berlin. His doctoral thesis looks at the potential of traditional building techniques for architectural solutions in transforming urban territories in Ethiopia. He holds a Master of Science in Architecture from ETH Zurich. Between 2012–2013, he taught architectural design at the Ethiopian Institute for Architecture, Building Construction and City Development (EiABC) of Addis Ababa University.

Video Online-Presentation: Abiy’s religious conception of politics and its implications for domestic and regional governance

Dereje Feyissa Dori

13. June 2024,18:00 CET

The Abiy administration represents a rupture in Ethiopian politics in many ways. This rupture is visible at least in three domains of political life: ideological shifts, ethnic power reconfiguration, and rebalance between ethnicity and the politics of national unity. In this talk I discuss Ideological shifts with an emphasis on Abiy’s religious conception of politics, evident in his messianic self-understanding, and the spiritually-animated political agency connected to that, as well as his obsession with vanity projects, and a legacy-driven big push in his port politics. Turning EPRDF’s assertive secularism upside down, Abiy’s socioeconomic transformational scheme gives the impression that „it is faith, Stupid!“. Much of „the boldness“ or „the delusion“ with which he exercised power in Ethiopia and in the wider region has roots in his religious ideological formation that draws on the tenets of the Prosperity Gospel. An aspect of this is how his political decision making is heavily informed by positive thinking and religious analogical reasoning. As strategic as he is with a background in the security sector, Abiy is also a religious practitioner. Taking the religious Abiy seriously thus provides unique insights to understand his often-unfathomable politics. As the Thomas theorem has it, not objective conditions of situations, but their (culturally grounded) definitions by the actors determines people’s actions. In the case of Abiy one could formulate this as: if he believes something to be the case, then he acts accordingly. The political reality in Ethiopia is thus shaped, to some degree, by the spiritual conceptions of its current leader.

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Dereje Feyissa Dori holds a doctorate in social anthropology from Martin-Luther University/Max Planck Institute for Social Anthropology in Halle, Germany. He is the MIDEQ Co-Investigator for the Ethiopia – South Africa migration corridor and Adjunct Professor at Addis Ababa University. He can be contacted by email.

Video Online-Presentation: Sacred Images of Ethiopia: The Collection of Ethiopian Icons in the Museum „Fünf Kontinente“ in Munich

Carolin Schäfer

16. May 2024,18:00 CET

The dissertation project focuses on the largest collection of Ethiopian icons in Europe and aims to produce both a museum catalogue and a comprehensive guide to this object category. The Ethiopian icons in Munich have never been catalogued in a comprehensive manner before and will thus offer an important reference for those interested in these objects. Furthermore, the collection of 94 icons, produced in all the Christian regions of historic Ethiopia and datable between the 15th century and modern times, provides a vast and varied enough corpus to allow for historical and regional categorisation. Finally, these icons demonstrate an abundance of intercultural and even transreligious influences, which are likely due to the Horn of Africa’s fortunate position for trade and the spread of ideas. 

Accordingly, this PhD project has two main objectives. The first is to build categories of icons based on their places and dates of production, as well as their styles and iconographies, in the end to be able to trace the development of Ethiopians icons as they occur in the Museum Fünf Kontinente and in further museums. Secondly, the project focusses on the intercultural influences, such as by Eastern Christian, Persian, Indian, Asian, Latin, and Islamic cultures, working on the Ethiopian icons and tries to identify their origins.

Registration by email.

„The Oxford Handbook of Ethiopian Languages“ – An online book presentation

Ronny Meyer

27. February 2024,18:00 CET

This book presentation provides a general overview and basic introduction to the recently published collective volume The Oxford Handbook of Ethiopian Languages (OHEL) (https://doi.org/10.1093/oxfordhb/9780198728542.001.0001).

Ethiopia is home to almost one hundred thirty million people who speak about eighty languages belonging to the Cushitic, Omotic and Semitic sub-branches of Afroasiatic and Nilo-Saharan. Their speakers have been in contact for several centuries, resulting in bi- and multilingualism and the establishment of regional and national linguae francae. Moreover, this situation gave rise to the Ethiopian Linguistic Area, in which languages of different genetic origin started to develop similar linguistic features.

Despite this linguistic diversity and ongoing changes, general reference works on Ethiopian languages and linguistics all dating to the 1970s are now outdated. More recent works focus mainly on the Semitic languages and consequently lack information on Cushitic, Omotic and Nilo-Saharan languages. The most recent general reference work on Ethiopia, the Encyclopedia Aethiopica (2003–2014), also contains information on Ethiopian languages, but usually in a very sketchy manner, often neglecting large parts of the morphology and syntax of the languages. Similarly, handbooks on African languages such as Heine et al. (1987), Heine/Nurse (1997), and Vossen/Dimmendaal (2020) deal with various Ethiopian languages but provide only very general information. Most of these works do not deal with sociolinguistic aspects of the languages and language groups.

Thus, there was a need for an up-to-date major reference work. The OHEL provides a comprehensive account of the languages spoken in Ethiopia, examining both their structures and linguistic features, as well as their function and use in society. It provides background and general information on Ethiopian languages, including their demographic distribution and classification, language policy, scripts and writing, and language endangerment. The book also provides an up-to-date overview of the four major language families in Ethiopia. Both major and less documented languages are included, ranging from Amharic and Oromo to Zay, Gawwada, and Yemsa. It also examines the languages that fall outside these four families, namely Ethiopian Sign Language, Ethiopian English, and Arabic in Ethiopia.

OHEL is of particular interest to senior scholars and graduate students with an interest or specialization in Ethiopian languages, and may also attract general linguists, language typologists, African linguists, and Ethiopianists. Furthermore, we, the editors, hope that it will have an impact on Applied Linguistics in Ethiopia, since many of the languages covered in the OHEL have recently been introduced in primary education, although they are still inadequately described. We strongly believe that the OHEL will find a wide national Ethiopian and international readership.

Registration by email.